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She is clad in a long white dressing-gown, loose, yet clinging, that betrays each curve of her svelte, lissom figure. It is bordered with swansdown, and some rich white lace, that sits high to her neck and falls over her small hands. Her hair is drawn back into a loose knot, that looks as if it would tumble down her back should she shake her head. She is pale, and her eyes are peculiarly large and dark from excitement. They are fixed upon Rodney with a gaze that belies all idea of fear, and her lips are compressed and somewhat dangerous. "One of Thomas's billet-doux, no doubt," says Geoffrey, dreamily, alluding to the under-footman, but thinking of something else. When he has told her a really good story.—quite true, and all about the æsthetic, Lady Lilias, who has declared her intention of calling this afternoon, and against whose wearing society he is strenuously warning her,—and when she has shown no appreciation of the wit contained therein, he knows there is something—as he himself describes it—"rotten in the state of Denmark.".
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Yet after a moment or two the smile fades from Mona's mobile lip that ever looks as if, in the words of the old song, "some bee had stung it newly," and a pensive expression takes its place. These first people did not have hands like a person; they had hands like a bear with long claws. They were poor and naked and did not know how to get a living. Old Man showed them the roots and the berries, and showed them how to gather these, and told them how at certain times of the year they should peel the bark off some trees and eat it; that the little animals that live in the ground—rats, squirrels, skunks, and beavers—were good to eat. He also taught them something about the roots that were good for medicine to cure sickness. Up the stairs she takes her and into her own room, without saying a word. Then she carefully turns the key in the door, and, placing Mona in a large and cosey arm-chair, stands opposite to her, and thus begins,— "Is it?" says she, a little wistfully. "You think so now; but if afterwards you should know regret, or——".
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